Examining all areas of Louise Hopkins's practice, from the early painting on the reverse of everday fabrics to later work using maps, photographs, sheet music and comic books as a support structure for her painting. By working on supports which already contain information, often an image, and in turning that image into a painting by repainting and hence remaking it, Hopkins confronts or perhaps annihilates the original visual information.

Superbly illustrated throughout this book includes images of all of the work featured in the show, often in close-up as well as with a full view in order to show Hopkins's extraordinary attention to detail.

Essays by Fiona Bradley, Greg Hilty and Ulrich Loock and full biography.

Soft cover, 96pp, 270 x 210 mm
Edition of 1,000

ISBN 0 912 112 121