Alex Hartley is a British artist whose work confronts our experience and understanding of the built and natural environments. Working primarily with photography, though often incorporating it into sculpture and installation, Hartley assumes a shifting set of roles from photographer and architectural historian to builderer, rambler, mountaineer and explorer, offering an original analysis of architecture and its relationship to landscape.

With extensive illustrations and three new essays, this book offers an overview and an analysis of Hartley’s practice over the last fifteen years.

Writers: Fiona Bradley, Martin Caiger-Smith, and Richard Williams (The Anxious City: English Urbanisation at the End of the Twentieth Century)

Published date: 27 July 2007
Hardcover, 128pp, 230 x 210mm, Edition of 1,000

ISBN: 9 780947 912345

Commissioned by The Fruitmarket Gallery
Directed and filmed by Brian Ross

New hardback catalogue which accompanies the exhibition at The Fruitmarket Gallery organised in collaboration with Camden Arts Centre, London, Bergen Kunsthall, Norway and Kunstverein Hannover.

Examines the sculptural relationship and spatial play of the environment in which Aernout Mik's videos are experienced. Includes, at Mik's invitation, an essay by anthropologist Michael Taussig. Extensively illustrated with both installation drawings and stills taking from the films Vacuum Room, Raw Footage, Scapegoats and Training Ground.

Designed by Irma Boom in a limited-edition of 1,200 copies.

Publication date: February 2007
Hardcover, 400pp, 124 x 158 mm, Edition of 1,200

ISBN: 9781900470636

Commissioned by The Fruitmarket Gallery
Directed and filmed by Brian Ross

Over 2,000 children and young people contributed to the project in its first two years. Their participation resulted in a wide range of artwork presented in an exhibition at The Fruitmarket Gallery from 20 April - 6 May 2007.

Trenton Doyle Hancock transformed The Fruitmarket Gallery in 2007 with his immersive mix of paintings, drawings, sculpture and wall-writing. This publication accompanied the immensely popular exhibition, Hancock's first solo European show, and is sumptuously illustrated with all of the work from the show.

The full text from the walls is also included, telling the story of Hancock's vivid alterniverse and its inhabitants, the Vegans and the Mounds. Includes a prologue by Fiona Bradley; Trenton Doyle Hancock and Thelma Golden in conversation; a new essay by Eleanor Heartney 'Trenton Doyle Hancock and the Apocalyptic Vision', as well as a full biography and list of works.

Publication date: 10 February 2007
Hardcover, 96pp, 270 x 210 mm, Edition of 2,000
50 full colour illustrations

ISBN: 0 947912 24 X

Commissioned by The Fruitmarket Gallery.
Directed and filmed by Brian Ross.

Christine Borland makes art which deals with the body, and with our emotional, imaginative, medical, and institutional sense of self. Her practice is hugely varied - she makes sculpture, installations, photographs and video - yet it is united by a number of constants.

This publication brings together the major themes and pre-occupations of a tremendous range of work made between 1990 and 2006.

Writing includes re-publication of work from books and periodicals during this period as well as an essay by medical historian Ruth Richardson and an interview with Christine Borland by fellow artist and friend Craig Richardson.

Writing by Geraldine Barlow, Christine Borland, Katrina M. Brown, Charles Esche, Greg Hilty, Ian Hunt, Ulla Angkjaer Jorgensen, Maria Lind, Craig Richardson and Ruth Richardson.

Publication date: 2 December 2006
Hardback, 160pp, 240 x 210 mm, Edition of 1,500
150 col. illust.

ISBN 0 947912 24 X

Commissioned by
The Fruitmarket Gallery
Directed and filmed by Brian Ross

Callum Innes is known for paintings created through a process that involves the repeated removal as well as application of paint. Calm and authoritative when exhibited, they nevertheless bear the traces of the controlled chaos of their production, of the creative and destructive interaction of pain and turpentine.

This publication brings together the major themes and preoccupations of Innes's practice over the last fifteen years. It includes essays by Michael Auping, Fiona Bradley, Eric de Chassey and Richard Cork, and a substantial new interview with the artist by Paul Bonaventura.

Lavishly illustrated, the book offers the first opportunity properly to trace the evolution and inter-dependence of the various series of paintings into which Callum Innes's practice is divided, from the earliest to the most recent paintings.

Publication date: 30 September 2006
Hardback, 256pp, 297 x 256 mm, Edition of 3,000,
101 col. illust

ISBN 0 912 112 121